Beethoven Embraces Liszt After His Concert 13 April 1823 C Lebrecht Music Arts Alamy Stock Photo

Date and location

November 4, 2021
6:00 PM - 8:00 PM
Orpheus Instituut Concertzaal (Korte Meer 12, 9000 Gent)

ZUKUNFTSMUSIK: Beethoven’s Piano Sonata Op. 101 as a source of inspiration

EventNovember 4, 2021

Afterwork concert #3

In the context of "Declassifying Beethoven", the 2020 programme in which the Orpheus Institute celebrated 250 years of Beethoven and 5 years "Declassifying the Classics", four afterwork concerts are being organised at the Orpheus Institute. These concerts are each time curated by a researcher of the "Declassifying the Classics" research cluster. The third concert, on Thursday 4 November, is being curated by post-doctoral researcher Camilla Köhnken (pianist).

Register now

Curator: Camilla Köhnken
with Tom Beghin and Luca Montebugnoli


Ludwig van Beethoven: Sonata op. 101 (1816)

Etwas lebhaft und mit der innigsten Empfindung.
Allegro, ma non troppo

                                                           Richard Wagner: Tristan und Isolde WWV 90 (1857–59)

                                                           Prelude. Langsam und schmachtend

                                                           (arranged for four-hands by Hans von Bülow, ca. 1860)

Lebhaft, marschmäßig.
Vivace alla marcia

                                                           Franz Liszt: Trauermarsch S. 206 (1885)

                                                           Andante maestoso funebre

Langsam und sehnsuchtsvoll.
Adagio, ma non troppo, con affetto

Geschwind, doch nicht zu sehr, und mit Entschlossenheit.

                                                           Ludwig van Beethoven: Sonata op. 106 (1817–18)

                                                           Fuga a tre voci, con alcune licenze

                                                           Allegro risoluto


Nannette Streicher, 1816 (replica by Chris Maene, 2021)
Boisselot & Fils (Marseille), ca. 1839
and an ephemeral appearance of: Broadwood and Sons, 1817 (replica by Chris Maene, 2013)


Free admission, but registration is required:

Wearing a face mask is mandatory for this concert.

Upcoming afterwork concerts:

  • #4 - 2 Dec. 2021 FIBONACCI’s Spiral: Beethoven’s “Diabelli” Variations Op. 120 performed on two pianos - curators: Tom Beghin and Prach Boondiskulchok (more info)