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Time, History and Materials

Registration for the Seminar 'Time, History and Materials' is now open. This Seminar takes place in Canterbury (UK).

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DARE 2019: Assemblage

After 'The Dark Precursor' and 'Aberrant Nuptials', 'Assemblage' (in its two inseparable manifestations as “machinic assemblages of desire” and “collective...

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MOOC starts next week

A MOOC (Massive Open Online Course) is a free online course available for anyone to enroll. The Orpheus Institute launches its first MOOC on Artistic...

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MOOC launch

A MOOC (Massive Open Online Course) is a free online course available for anyone to enroll. The Orpheus Institute has launched its first MOOC on Artistic...

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Call for Research Assistant (0.5 FTE/1 year)

The Orpheus Instituut is seeking to appoint at the earliest opportunity a Research Assistant to collaborate on a subproject (working title ‘The art of giving...

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Upcoming publications - Spring 2019

The Orpheus Institute has two upcoming publications: Sensorial Aesthetics in Music Practices (edited by Kathleen Coessens) and Futures of the Contemporary...

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Tom Beghin publishes essay in 'The Cambridge Haydn Encyclopedia'

Essay titled 'Haydn and the Art of Conversation' in 'The Cambridge Haydn Encyclopedia' (2019).

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Twee concerten door docARTES studenten in Miry Concertzaal (Gent)

Luca Montebugnoli en Nadav Katan startten beiden het docARTES programma in 2018. Naast artistiek onderzoekers zijn ze in de eerste plaats pianisten. Op 15 en...

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The Beethoven Experiment: Rehearsing Innovation

On 29 March during the Rehearsing Orchestral Innovation Symposium in Maastricht, Paulo de Assis will perform in the Beethoven Experiment. He will play the...

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Invitation to participate in the Orpheus Research Summit 2019

After a very successful and enthusiastically received 2018 edition, the Orpheus Institute proudly introduces the second international ‘Orpheus Research...