Voices, Bodies, Practices - Media Repository

This online repository contains complementary materials to the publication 'Voices, Bodies, Practices: Performing Musical Subjectivities'.

Voices Bodies Practices Square

Related publication

Voices, Bodies, Practices: Performing Musical Subjectivities (Catherine Laws, William Brooks, David Gorton, Thanh Thủy Nguyễn, Stefan Östersjö, and Jeremy J. Wells)

Chapter 1

Austerity Measures I: Performing the Discursive Voice

(David Gorton and Stefan Östersjö)

1.1 Bell-like sonorities in Austerity Measures I

1.2 Four-times rehearsal of Austerity Measures I

1.3 Four-times concert of Austerity Measures I

1.4 Three-times rehearsal of Austerity Measures I

1.5 Three-times concert of Austerity Measures I

Chapter 2

Being a Player: Agency and Subjectivity in Player Piano

(Catherine Laws)

2.1 Player Piano trailer film

2.2 Touch and Go (film)

2.3 Ceci n’est pas un piano (audio recording)

2.4 under and under (film)

2.5 Touch and Go, rising and falling hands

2.6 Touch and Go, plunge

2.7 Touch and Go, taking off upwards

2.8 Touch and Go, scrutiny of hands (live)

2.9 Touch and Go, scrutiny of hands (film)

2.10 Player Piano, piano entrance

2.11 Player Piano, vocalisation of piano, film (opening)

2.12 Player Piano, vocalisation of piano, film (final flip-over)

2.13 Ten Bellows, trailer film

2.14 Ten Bellows, cadential phrase and mechanistic development

2.15 Ten Bellows, example of codependency of soundworlds

2.16 Ten Bellows, example with piano preparations

Chapter 3

Footnotes

(William Brooks, Stefan Östersjö, and Jeremy J. Wells)

3.1 Footnotes, movement 1 (excerpt)

3.2 Footnotes, movement 2 (excerpt)

3.3 Footnotes, movement 3 (excerpt)

3.4 Footnotes, movement 4 (excerpt)

3.5 Footnotes, movement 5 (excerpt)

3.6 Footnotes, movement 6 (excerpt)

3.7 Footnotes, sleeve notes (.pdf)

3.8 A True History of Footnotes Perhaps (Part 1) (.pdf)

3.9 A True History of Footnotes Perhaps (Part 2) (.pdf)

Glissentar

3.10 Glissentar

3.11 Footnotes, “Cotten, loc. cit.,” Glissentar test

3.12 William Brooks and Stefan Östersjö in Malmö

3.13 Footnotes, “Cage, passim,” unit C, ver1

3.14 Footnotes, “Cage, passim,” unit C, ver2

3.15 Footnotes, “Cage, passim,” unit C, ver3

3.16 Footnotes, “Cage, passim,” unit C, experiment

Vietnamese guitar

3.17 Vietnamese guitar

Variax Guitar

3.18 Variax guitar

3.19 Footnotes, “Cage, passim,” unit I, ver2

3.20 Footnotes, “Cage, passim,” unit I (score) (.pdf)

3.21 Gibson guitar

3.22 Gibson serial number

3.23 Discovering the preparations for “Cage”

Original preparations for Cage
3.24 Original preparations for “Cage”

3.25 Footnotes, “Cotten, loc. cit.,” discussion

Chapter 4

Arrival Cities: Hanoi

(Nguyễn Thanh Thủy and Stefan Östersjö)

4.1 Mirage Trio (bars 39-45)

4.2 Mirage Duo (bars 9-14)

4.3 Arrival Cities Hanoi trio 1 (bars 37-40)

4.4 Mirage Trio (bars 36-39)

4.5 Arrival Cities Hanoi solo for tỳ bà (bars 64-66)

4.6 Fascia (bars 46-49)

4.7 Arrival Cities Hanoi solo for tỳ bà (bars 44-47)

4.8 Arrival Cities Hanoi solo for đàn tranh (bars 1-6)

4.9 Arrival Cities Hanoi solo for đàn bầu (bars 1-6)

4.10 Arrival Cities Hanoi premiere