Sitemap

• Homepage
• Projects
• Orpheus Research Centre
• Researchers
• Former researchers
• Research opportunities
• Gender Equality
• Publications
• Education
• docARTES
• Laureate programme
• Advanced Chamber Music Course
• MOOC
• AReMus
• Advancing Supervision for Artistic Research Doctorates
• ‘Feed-back, feed-forward: Approaches to artistic feedback in doctoral supervision’
• Community of Practice - The Art of Feedback
• Resources
• RAPP Lab – Reflection-based Artistic Professional Practice
• News & events
• About us
• History
• Organisation
• Partners & network
• Erasmus+
• Library
• Infrastructure
• Location
• Sitemap
• Privacy policy
• Cookie policy
• Disclaimer
• Downloads
• Contact
• Thank you!
• 404
• Artistic Experimentation in Music: an Anthology - Media Repository
• Experimental Affinities in Music - Media Repository
• The Dark Precursor: Deleuze and Artistic Research - Media Repository
• Experimental Encounters in Music and Beyond - Media Repository
• Artistic Research in Music: Discipline and Resistance - Media Repository
• Transpositions - Media Repository
• Virtual Works Actual Things - Media Repository
• Voices, Bodies, Practices - Media Repository
• Listening to the Other - Media Repository
• Powers of Divergence
• Hyperion
• Diabelli Machines8
• Aberrant Nuptials
• Presentations
• Concerts
• Machinic Assemblages of Desire - Media repository
• Experience Music Experiment - Media Repository
• Sound Work
• David Rosenboom
• Ann Warde
• Nicholas Brown
• Lula Romero
• Daniela Fantechi
• Patricia Alessandrini and Julie Zhu
• Haydn and the Art of Conversation
• Erard
• Declassifying Beethoven
• Events
• Projects
• 365 new days to unfold.
• Beethoven and His 1803 Erard
• Book // Beethoven's French Piano
• Chapter One - Aspirations and Entanglements
• Chapter Two - The Psychology of Waiting
• Chapter Three - Malleability of Tone
• Chapter Four - The Lure of una corda
• Chapter Six - An Unlikely Competitor
• Chapter Seven - Continuous Sound
• Chapter Eight - The Vertical/Horizontal Paradox
• Chapter Nine - A Grand Sonata
• Chapter Ten - A Prize-winning Teacher
• Vignette 4 - Building a Replica
• Chapter Eleven - Revisiting the Revisions
• Chapter Twelve - Mixing Sound
• Epilogue - Time and Resonance
• Vignette 5 - Faster and Faster
• Edited volume // Keyboard Perspectives vol. 13
• Erin Helyard
• Michael Pecak
• Jeanne Roudet
• Luca Montebugnoli
• Charles Shrader
• Frédéric de La Grandville
• Camilla Köhnken
• The 2018 Orpheus Concours
• CD // Beethoven and His French Piano
• CD // Eroica / Erard
• TV-Documentary // A Farewell to Paris
• BLOG // Taking the Erard on Tour
• Collaborators
• Events
• Music, Thought and Technology
• Technology and musical thought - Publications
• Three States of Wax
• Presence and resonance
• Opaque technologies
• ECHO
• Open Circuit & Electric Salon
• Friday, September 9, 2022 - Getting ready
• Sunday, September 11, 2022 - Arriving in Vienna
• Monday, September 12, 2022 - A concert for connoisseurs
• Tuesday, September 13, 2022 - A keynote lecture
• Wednesday September 14, 2022 - Off to Budapest
• Thursday, September 15, 2022 - The György Solti Hall
• Friday, September 16, 2022 - Teaching and lecturing
• Saturday, September 17, 2022 - Off to Cluj-Napoca
• Sunday, September 18, 2022 - Teaching or sightseeing?
• Monday, September 19, 2022 - Teaching again
• Tuesday, September 20, 2022 - My third and final recital
• Wednesday, September 21, 2022 - Off to Divišov
• Thursday, September 22, 2022 - Another builder’s workshop
• Friday, September 23, 2022 - Driving home
• 2024... May all your wishes be in 3D
• Mit veränderten Reprisen: The Practice of Varying Repeats
• 2023 Summer Academy
• CD // C. P. E. Bach’s Sonaten mit Veränderten Reprisen, Wq 50
• CD // W. A. Mozart’s “Sonatas with Varied Reprises,” K 279–284
• Saturday, September 10, 2022 - Hitting the road