Historical Piano Summer Academy 2018
The notion of a “prize-winning sonata” may seem bizarre to us now, but in the first decade of the Paris Conservatoire, the confusion would have been unavoidable: which dazzles us more—the polished playing or the difficult composition? During our first Historical Piano Summer Academy (3 - 12 July, 2018), we have rehearsed a repertoire of piano pieces that won a premier prix for students and their teachers between 1797 and 1819.
With our 1803 Erard as its centerpiece, this ten-day workshop has explored what it meant to be a young and ambitious piano student at a new and revolutionary French institution that made professional performance its core business.
Performance videos:
Luca Montebugnoli plays Louis Adam’s Sonata in C Major, Op. 8 No. 2
Shin Hwang plays Ferdinand Herold’s Sonata in C, Op. 1
Domitille Bès plays Louis Adam’s “Air du bon Roi Dagobert avec douze Variations précédé d’un Prélude ou Introduction”
A GRAND CONCOURS featuring all participants
at the Ceremonial Room of the Hotel D’Hane-Steenhuyse, Veldstraat 55, 9000 Ghent (BE):
Wed, July 11
Session 1, 14:00 Sonata Op. 7 No. 3 – J. B. Cramer & Sonata Op. 33 No. 3 – M. Clementi
Session 2, 15:30 Sonata Op. 2 No. 1 – H. de Montgeroult & Sonata C Op. 8 No. 2 – L. Adam
Session 3, 17:00 Fantasy Op. 18 – J. N. Hummel & Sonata Op. 5 – P. Zimmermann
Session 4, 18:30 Sonata Op. 1 – F. Hérold & “Dagobert” Variations – L. Adam
Distribution des prix, 20:00
July 3 - July 12, 2018
Directed by
Tom Beghin (Orpheus Institute) & Erin Helyard (University of Melbourne)
Participants
Hannah Aelvoet (Belgium), Domitille Bès (France), Shin Hwang (USA), Luca Montebugnoli (Italy), Márcio Reverbel (Brazil), Liselotte Sels (Belgium), Joshua Villanueva (USA), Akkra Yeunyonghattaporn (Thailand)
Special guests
Jeanne Roudet (Sorbonne Université, IReMus), Frédéric de La Grandville (Université de Reims), Prach Boondiskulchok (Orpheus Institute), Ellie Nimeroski (Orpheus Insitute)