Interview Mit veränderten Reprisen

"So, how did you start with this idea of varied reprises?” With this question, Arabella Pare opens a conversation with Tom Beghin on a bold and imaginative recording project. Drawing inspiration from C.P.E. Bach’s Wq. 50, a work that famously demonstrates how allegros with repeated sections may be varied on their return, Beghin extends an eighteenth-century performance practice into new territory.