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Ceci n'est pas un piano

Ceci n'est pas un piano is a deeply experimental, multimedia exploration of the piano's identity, physical boundaries, and the intimate relationship between...

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Beethoven as a Transnational Composer: Straßenmusik, Verbunkos and the Trio Op. 11 ‘Gassenhauer’

This volume celebrates Beethoven’s genius as European shedding new light on varied aspects of his music

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Touch and Go

Touch and Go is a composition for piano by Roger Marsh, developed in collaboration with pianist Catherine Laws in 2014, who performs it here.

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Whose Music? Interpreting Authorship and Identity in Brahms’s Variations on a Theme of Robert Schumann Op. 9

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Franz Schubert

This study of the fragmentary piano sonatas by Franz Schubert, composed between 1815 and 1825, offers an individual analysis of each work, based upon a...

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Apollo e Marsia

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Wei Lee performs Mozart's Sonata in F Major, K 280 (Munich, 1775)

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Report by Liselotte Sels in Newsletter of the Westfield Center for Historical Keyboard Studies

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Erfgoeddag 2026: HAHA humor

Een fotoalbum dat de tentoonstelling documenteert die werd gepresenteerd in het kader van Erfgoeddag 2026. Het evenement werd georganiseerd door het Orpheus...

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REPaMS - Radically Embodied Performance as Musical Structure

Het gaat uit van de veronderstelling dat uitvoerders niet louter muziekwerken reproduceren, maar door middel van hun belichaamde handelingen muzikale...