Chapter Six - An Unlikely Competitor
Recapturing Daniel Steibelt’s tremulando magic:
Six ways of using the pedals in the opening bars of his Caprice in G Major, Op. 24 No. 3 (publ. Paris, 1795)
1. Pedal 2
2. Pedals 2 and 4
3. Pedals 2 and 4 (swell with fingers)
4. Pedals 2 and 4 (swell with feet)
5. Pedals 2, 3, and 4 (swell with feet)
6. Pedals 1, 2, 3, and 4 (swell with feet)