Experimental Affinities in Music - Media Repository
Related publication
Experimental Affinities in Music (Paulo de Assis, ed.)
Related events
Academy 2013: Experimental Affinities in Music: From Late Middle Ages to the Present
Academy 2012: Experimentation versus Interpretation
Academy 2011: Aspects of Artistic Experimentation in Early Music
Videos related to Chapter Three: “Vieltönigkeit” instead of Microtonality - The Theory and Practice of Sixteenth- and Seventeenth-Century “Microtonal” Music.
Author: Martin Kirnbauer and Johannes Keller
Chapter
reference: http://dx.doi.org/10.11116/9789461661883.ch03
Videos related to Chapter Four: “Inscriptions: An Interview with Helmut Lachenmann”
Chapter reference: http://dx.doi.org/10.11116/9789461661883.ch04
Title of composition: Wiegenmusik | Year of composition: 1963 | Composer: Helmut Lachenmann | Performer: Helmut Lachenmann | Date of recording: 01.10.2012 | Recording: Orpheus Institute
Title of composition: Pression | Year of composition: 1969/1970 | Composer: Helmut Lachenmann | Performer: Arne Deforce | Date of recording: 01.10.2012 | Recording: Orpheus Institute
Videos related to Chapter Five: Nuance and Innovation in Part I of the “48”.
Author: Mark Lindley
Chapter reference: http://dx.doi.org/10.11116/9789461661883.ch05
Suite in F#-minor from the Premier Livre de Pièces de Viole (1689) by Marin Marais: Prélude, Allemande, Courante, Sarabande, Gigue.
Performers: Dirk Moelants (viola da gamba), and Nicoleta Paraschivescu (harpsichord) | Date of recording: 04.04.2011 | Recording: Orpheus Institute
Le Labyrinthe from the Quatrième Livre de Pièces de Viole (1711) also by Marin Marais.
Performers: Dirk Moelants (viola da gamba), and Nicoleta Paraschivescu (harpsichord) | Date of recording: 04.04.2011 | Recording: Orpheus Institute
Audio related to Chapter Seven: "From Clockwork to Pulsation - Music and Artificial Life in the Eighteenth Century."
Author: Lawrence Kramer
Chapter reference: http://dx.doi.org/10.11116/9789461661883.ch07
Title of composition: Pulsation | Year of composition: 2010-2011 | Composer: Lawrence Kramer | Performers: Carlo-Andrea Berti (violin), Anzhim Medetbayeva (viola), Sara Verheyen (violoncello), Lucie De Ley (piano) | Date of recording: March 2013 | Recording: Orpheus Institute
Videos related to Chapter Chapter Eleven: "Testing Respect(fully) - An Interview with Frederic Rzewski"
Author: Luk Vaes
Chapter reference: http://dx.doi.org/10.11116/9789461661883.ch11
Felix Mendelssohn, Sechs Lieder ohne Worte opus 38, #6 (Andante con moto) Performer: Frederik Rzewski | Date of recording: 27.04.2012 | Recording: Orpheus Institute
Robert Schumann, Noveletten opus 21, #2 (Äusserst rasch und mit Bravour) Performer: Frederik Rzewski | Date of recording: 27.04.2012 | Recording: Orpheus Institute