Futures Of The Contemporary Image

Upcoming publications

News February 18, 2019

Orpheus Institute Series forthcoming books

The Orpheus Institute has two upcoming publications: Sensorial Aesthetics in Music Practices (edited by Kathleen Coessens) and Futures of the Contemporary (edited by Paulo de Assis and Michael Schwab)

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Sensorial Aesthetics in Music Practices

Edited by Kathleen Coessens

Format: Edited volume - paperback
Size: 285 × 195 mm, 200 pages
ISBN: 9789462701847
Publication: May 30, 2019

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Embodied experience and sensorial understandings in Western music

The Western history of aesthetics is characterised by tension between theory and practice. Musicians listen, play, and then listen more profoundly in order to play differently, adapt the body, and sense the environment. They become deeply involved in the sensorial qualities of music practice. Artistic practice refers to the original meaning of aesthetics—the senses. Whereas Baumgarten and Goethe explored the relationship between sensibility and reason, sensation and thinking, later philosophers of aesthetics deemed the sensorial to be confused and unreliable and instead prioritised a cognitive or objective approach.

Written by authors from the fields of philosophy, composition, performance, and artistic practice, Sensorial Aesthetics in Music Practices repositions aesthetics as a domain of the sensible and explores the interaction between artists, life, and environment. Aesthetics becomes a field of sensorial and embodied experience involving temporal and spatial influences, implicit knowledge, and human characteristics.

Contributors: Kathleen Coessens (Koninklijk Conservatorium Brussel, Orpheus Institute), Tim Ingold (University of Aberdeen), Michaël Levinas (Conservatoire National Supérieur de Musique de Paris), Fabien Lévy (Hochschule für Musik Detmold), Lasse Thoresen (Norwegian Academy of Music), Vanessa Tomlinson (Queensland Conservatorium of Music), Salomé Voegelin (University of the Arts London)

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Futures of the Contemporary

Contemporaneity, Untimeliness, and Artistic Research

Edited by Paulo de Assis and Michael Schwab

Format: Edited volume - paperback
Size: 285 × 195 mm, 224 pages
ISBN: 9789462701830
Publication: July 15, 2019

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Related event: Futures of the Contemporary (Academy, 10-12 May 2017)

Transdisciplinary approaches to the notions of “the contemporary” and “contemporaneity”

Futures of the Contemporary explores different notions and manifestations of “the contemporary” in music, visual arts, art theory, and philosophy. In particular, the authors in this collection of essays scrutinise the role of artistic research in critical and creative expressions of contemporaneity. When distinguished from “the contemporaneous” of a given historical time, “the contemporary” becomes a crucial concept, promoting or excluding objects and practices according to their ability to diagnose previously unnoticed aspects of the present. In this sense, the contemporary gains a critical function, involving particular modes of relating to history and one’s own time.

Written by major experts from fields such as music performance, composition, art theory, visual arts, art history, critical studies, and philosophy, this book offers challenging perspectives on contemporary art practices, the temporality of artistic works and phenomena, and new modes of problematising the production of art and its public apprehension.

Contributors: Andrew Prior (University of Plymouth), Babette Babich (Fordham University), Geoff Cox (Fine Art at Plymouth University / Aarhus University), Heiner Goebbels (Justus Liebig University), Jacob Lund (Aarhus University), Michael Schwab (Orpheus Institute), Pal Capdevila (Autonomous University of Barcelona), Paulo de Assis (Orpheus Institute), Peter Osborne (Kingston University London), Ryan Nolan (University of Plymouth), Zsuzsa Baross (Trent University)