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Call for proposals: Experience :: Music :: Experiment

We invite proposals for presentations of any kinds, from scholarly papers to performances for the Orpheus Seminar on Pragmatism and Artistic Research. The...

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Call for members: Community of Practice - The Art of Feedback

We invite supervisors, artist-researchers and doctorates to share their experiences with giving and receiving artistic feedback, critiquing and discussing...

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Orpheus Institute representatives at Performers(') Present Artistic Research Symposium

Performers(‘) Present is a triennial artistic research symposium at Yong Siew Toh Conservatory (Singapore) exploring, and reflecting upon, ways in which the...

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Call for proposals: The Sound of Feedback, The Idea of Feedback in Sound

We invite proposals for presentations that critically explore the concepts, artefacts and practices of feedback and address their role in all areas of music,...

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Beethoven 2020

Beethoven will be celebrated all over the world in 2020, but at the Orpheus Institute we have an extra special reason to make it a festive year: the fifth...

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New post-doctoral researcher: Camilla Köhnken

We welcome Camilla Köhnken as a new post-doctoral researcher in the 'Declassifying the Classics' research cluster.

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New publications - Fall 2019

Two new publications in the Orpheus Institute Series are now available: Voices, Bodies, Practices (Catherine Laws, William Brooks, David Gorton, Thanh Thủy...

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Rowman & Littlefield new series on Artistic Research edited by Paulo de Assis and Lucia D'Errico

The independent and interdisciplinary publisher Rowman & Littlefield International has released a new book series titled 'Artistic Research'. Orpheus...

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Orpheus Research Centre welcomes René Silva as visiting researcher

René Silva is a composer and PhD candidate at Pontificia Universidad Católica de Chile. Orpheus Institute research fellow Juan Parra Cancino is his external...

Event
Lecture-recital: Beethoven’s Erard

Lecture-recital by Tom Beghin on Frenchness in Beethoven’s piano music at the time of receiving his Paris piano, especially his “Waldstein” Sonata, Op. 53....