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Whose Music? Interpreting Authorship and Identity in Brahms’s Variations on a Theme of Robert Schumann Op. 9
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Franz Schubert
This study of the fragmentary piano sonatas by Franz Schubert, composed between 1815 and 1825, offers an individual analysis of each work, based upon a...
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Apollo e Marsia
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Wei Lee performs Mozart's Sonata in F Major, K 280 (Munich, 1775)
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Report by Liselotte Sels in Newsletter of the Westfield Center for Historical Keyboard Studies vol. 29, no. 2 (Late Summer 2018), 5–8
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Heritage Day 2026: HAHA humor
A photo album documenting the exhibition presented as part of Heritage Day 2026. The event was organised by the Orpheus Instituut in collaboration with FARO...
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REPaMS - Radically Embodied Performance as Musical Structure
It starts from the premise that performers do not merely reproduce musical works but create musical structures through their embodied actions. The project...
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Emily Worthington - Resonances of the Past
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Sound Arguments 2023
A photo album documenting the Sound Arguments 2023 edition.
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Sound Arguments 2024
A photo album documenting the Sound Arguments 2024 edition.