ECHO Issue #3 - Feedback

echo.orpheusinstituut.be/issue/3-feedback

With contributions by Virgile Abela, Øyvind Brandtsegg, Jaehoon Choi, Nicolas Collins, Eugenia Demeglio, Agostino Di Scipio, Petra Dubach, Robert Ek, Scott McLaughlin, You Nakai, David Novak, Mattias Petersson, Thanos Polymeneas-Liontiris, Adam Pultz Melbye, Dario Sanfilippo, Ricardo Thomasi, Mario van Horrik and Marcus Whale.

Titels

• Feedback: Introduction by Adam Pultz Melbye 
• Feedback and materiality on the spatial and energetic planes by Scott McLaughlin  
• Feedback and the Loss of Control in Possession by Marcus Whale 
• A continuously receding Horizon by Adam Pultz Melbye   
• Feedback, Modularity, and the Global Subjects of Electronic Soundmaking by David Novak  
• Late Realizations by You Nakai   
• Cybernetic Feedback Processes in Music-Theatre Practice: The Im-Medea Cycle by Thanos Polymeneas-Liontiris and Eugenia Demeglio  
• Roll, Pitch and Yaw by Nicolas Collins  
• Making a pitch map for a vibrotactile feedback instrument by Øyvind Brandtsegg   
• A Relational Ontology of Feedback by Agostino Di  Scipio  
• Towards the formalisation of structurally-coupling performance modalities and interfaces in human-machine interaction by Dario Sanfilippo  
• Patterns of emergence and feedback topology in Ecos Study by Ricardo Thomasi  
• Exploring Sinew0od by Mattias Petersson and Robert Ek  
• The future: an other scale of feedback? By Mario van Horrik and Petra Dubach  
• Brushing II by Jaehoon Choi   
• Acoustic Pendulum by Virgile Abela

About Echo

ECHO is a new online, open access, peer-reviewed journal that exists to share creative work and understanding in the common space at the intersection of music, thought, and technology.