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Parnassus

Darla Crispin
Visual

Practice as Research through Networking and Situation-Specific Utilisation of Synergies

2010 - 2013
The over-arching objective of PARNASSUS is to illuminate aspects of subjectivity in artistic experimentation through addressing a question that places the project's researcher at the centre of the discourse:‘What happens when a musical artist-researcher locates herself at the centre of an encounter with a highly-specialized body of cognate works with a view to generating new knowledge about their individually unique qualities, their distinctive commonalities, their relationship to more mainstream repertoire and their embeddedness in a matrix of interpretation that goes beyond the sphere of music?'

The project focuses on eight works from the published repertoire for solo piano of the composers of the Second Viennese School: Arnold Schoenberg, Anton Webern and Alban Berg. These pieces form a self-defining ‘body of cognate works' in which the investigations of the project are to be located. Through the processes of experimentation through practice - the physical, mental and psychological preparation of this group of works for performance - an intricate, interconnected matrix of tacit and manifest knowledge is generated, explored and re-evaluated. This web draws on multi-disciplinary epistemological insights - philosophy of science, embodiment theory, ecological theory, semiotics and sociology - and integrates these into both a conceptual model and a practical framework for artistic research.

Tags: Piano, Music philosophy, Experimentation, Embodiment

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Darla Crispin

Darla Crispin

UK