Beyond resemblance: creative divergence in music performance
Beyond interpretation: a proposal for experimental performance practices
Beyond musical works: new perspectives on music ontology and performance
New modes of epistemic relationships in artistic research
Bruno Maderna never fixed a final structure for Hyperion, originally written for a large orchestral group with solo roles for soprano and flute. Sections of...
CD, DVD and 32-pages booklet
This book by Orpheus Instituut's Director of Research Jonathan Impett presents the evolution of Luigi Nono’s musical thought as a unique instance of artistic...
Transdisciplinary approaches to the notions of “the contemporary” and “contemporaneity”
Embodied experience and sensorial understandings in Western music