Bruno Maderna never fixed a final structure for Hyperion, originally written for a large orchestral group with solo roles for soprano and flute. Sections of...
CD, DVD and 32-pages booklet
This book by Orpheus Instituut's Director of Research Jonathan Impett presents the evolution of Luigi Nono’s musical thought as a unique instance of artistic...
Transdisciplinary approaches to the notions of “the contemporary” and “contemporaneity”
Embodied experience and sensorial understandings in Western music
On the surface, Footnotes is a guitar album that cuts across stylistic and aesthetic boundaries throughout the 20th Century in the U.S.A. But what is this...
Identity and subjectivity in musical performances
Unique focus on the relation between artistic research and the philosophy of Gilles Deleuze
New modes of listening and methods for contemporary sound art practices