Erard Linz 2

Call for pianists: Historical Piano Summer Academy 2021

Call 19 mei 2021

Declassifying Beethoven

Are you a pianist interested in historical instruments? Are you pursuing or thinking of master's or doctoral studies? Would you like to develop a practice-led research project? Declassifying the Classics explores intersections between technology, rhetoric, and performance in repertoires between 1750 and 1850. We invite you to join us during a week of coaching and seminars.

The Orpheus Institute announces its second

Historical Piano Summer Academy

Declassifying Beethoven
22-28 August 2021

Directed by Tom Beghin, Camilla Köhnken, and Luca Montebugnoli (Orpheus Institute)

Guest: Zvi Meniker (Hochschule für Musik, Theater und Medien Hannover)

Hpsa2021 Website

Are you a pianist interested in historical instruments? Are you pursuing or thinking of master's or doctoral studies? Would you like to develop a practice-led research project?

Declassifying the Classics explores intersections between technology, rhetoric, and performance in repertoires between 1750 and 1850. We invite you to join us during a week of coaching and seminars.

The following five instruments will be available:

  1. Andreas Stein, 1786 (replica, German, FF–f3)
  2. Anton Walter, c. 1800 (replica, Viennese, FF–f3)
  3. Erard Frères, 1803 (replica, Beethoven’s, French, FF–c4)
  4. John Broadwood & Sons, 1817 (replica, Beethoven’s, English, CC–c4)
  5. Nannette Streicher, 1816 (replica, Viennese, FF–f4)

We ask that you choose two pieces connected with two different instruments—one by Beethoven, the other by one of his contemporaries. You will have a chance to perform in concert at the end of the workshop.

Application process

Six to eight participants will be selected.

Please send the following to summeracademy@orpheusinstituut.be by 21 June 2021:

  1. A link to a video featuring your performance on modern or historical piano.
  2. A few paragraphs on why do you wish to participate and how do you expect to benefit?
  3. Would you like to give a presentation on your work during the workshop?  If so, please provide a brief abstract.
  4. A copy of your CV.
  5. Choice of repertoire: see suggestions below.

Cost: € 250 as a registration fee, to be paid upon acceptance. Five lunches will be provided, as well as two evening dinners.

Accommodation: we will send a list of suggestions, but arrangements are to be made by you.

Corona-related measures: see the website of the Belgian government for updates. We will organize the academy following the latest measures.

We will notify you of your acceptance by 1 July 2021.

↓ Download call (.pdf)

List of works

Please choose a Beethoven work that’s appropriate for one of the instruments. We also offer suggestions for non-Beethoven works.

  • Stein

Beethoven: the three “Bonn” Sonatas WoO47; “Righini” Variations, Sonatas Op. 2, Nos. 1–3

Contemporary: (for example) W.A. Mozart, Sonata K 284

  • Walter

Beethoven: Sonatas Op. 27, Nos. 1 and 2, Op. 26, Op. 28, Op. 31, Nos. 1–3, Bagatelles Op. 33, Variations Op. 34 and Op. 35

Contemporary: (for example) Joseph Woelfl, Sonatas Op. 6, Nos. 1–3

  • Erard

Beethoven: Sonatas Op. 53, Op. 54, Op. 57

Contemporary: (for example) Daniel Steibelt, Fantaisie avec neuf variations sur un air des Mystères d'Isis; Ferdinand Herold, Sonata Op. 1; Louis Adam (any piece before 1810), Jan Ladislav Dussek (from his Paris period, 1806–12)

  • Streicher

Beethoven: Sonatas Op. 78, Op. 81a, Op. 90, Op. 101, Op. 106 (movements 1–3)

Contemporary: (for example) Schubert Sonata D 864

  • Broadwood

Beethoven: Sonata Op. 106 (fourth movement), Op. 109, Op. 110, Op. 111, Bagatelles Op. 119 (Nos. 6–11), “Diabelli” Variations Op. 120, and Bagatelles Op. 126

Contemporary: (for example) Frederick Kalkbrenner, Fantasy Op. 36; Muzio Clementi, Variations Op. 48, Capriccios Op. 47, Nos. 1–2, Sonatas Op. 50, Nos. 1–3.