Flyer Study Day Heinz Page 1 Image 0001

Datum en locatie

van 8 februari 2016 tot 10 februari 2016
Orpheus Institute, Ghent

Heinz Holliger visits Orpheus

Eventvan 8 februari 2016 tot 10 februari 2016

Study Day with Heinz Holliger

Heinz Holliger is one of those rare contemporary musicians who combine composing, playing, conducting, teaching, lecturing on a tremendously high level in a continuous stream of creativity since six decades.

During his visit to Orpheus he will deliver testimonies about his relation to his own music and to the music of others like Debussy or Schumann - by playing, explaining and coaching. About this relation he says himsself : "My entire relation to music is such that I always try to go to the limits."  The Orpheus Institute will be thus a perfect environment.

Bio

Heinz Holliger was born in Langenthal (Switzerland, canton of Berne) on 21 May 1939. During his grammar-school education he already studied oboe with Emile Cassagnaud at the Conservatoire of Berne and composition with Sándor Veress. From 1958 he continued his studies with Yvonne Lefébure (piano) and Pierre Pierlot (oboe) in Paris. Between 1961 and 1963 he studied composition with Pierre Boulez at the Music Academy of Basel. After winning first prizes at international music competitions (Geneva 1959, International Music Competition of the ARD 1961), Holliger began to give worldwide concert performances as an oboist. Contemporary composers such as Hans Werner Henze, Krzysztof Penderecki, György Ligeti, Elliott Carter, Witold Lutoslawski, Karlheinz Stockhausen, and Luciano Berio wrote compositions specially for him. Among his outstanding achievements is the rediscovery of forgotten works by 18th-century composers such as Jan Dismas Zelenka and Ludwig August Lebrun.

Holliger's oeuvre covers all genres – from stage works via orchestral, solo and chamber music works to numerous vocal pieces. Almost all compositions bear testimony to a tireless search for the limits of sound and language. His music is often preceded by an intensive examination of artists' or poets' lives and lyrical texts. He has always been fascinated by artists living on the edge of society or at the edge of life. At this point, the Scardanelli Cycle (1975-85) has to be emphasized, in which Holliger turns the last poems of Friedrich Hölderlin into a cycle of 2.5 hours duration for different instrumentations. For this work, the composer was awarded the Premio Abbiati of the Biennale di Venezia in 1995. In Gesänge der Frühe for choir, orchestra and tape, premiered in 1988, Heinz Holliger combined poems by Friedrich Hölderlin with music by Robert Schumann. In the two song cycles Drei Liebeslieder (1960) and Fünf Lieder(1992-2006) for contralto voice and orchestra, he concentrated on poems by Georg Trakl. In the cycle Glühende Rätsel for contralto voice and 10 instrumentalists (1964) Holliger set verses by Nelly Sachs to music. Even poems by Christian Morgenstern were set to music by Heinz Holliger (Sechs Lieder for soprano and orchestra, composed in 1956/57, orchestrated in 2003).

For the stage, Holliger wrote the opera Schneewittchen which was premiered at the Zurich Opera in 1998. The composer adapted the text from the work of Robert Walser in which, in contrast to Grimm's fairytale, the shadows of the characters meet after the actual story. The ECM recording of Schneewittchen won a Grammy Award in 2002. The examination of texts by Samuel Beckett resulted in the composition of three other short stage works: Come and go(1976/77), Not I (1978-80), and What Where (1988).

Holliger's concert pieces too often refer to biographies or literary works: Concerto 'Hommage à Louis Soutter' for violin and orchestra (1993-95, revised 2002) portrays the life of the Swiss painter. In Siebengesang (1966/67) for oboe, orchestra, singing voices and loudspeaker, he incorporates a poem by Georg Trakl. Holliger has composed numerous chamber music works, including the early wind quintet h (1968), Romancendres for violoncello and piano (2003), Contrechant sur le nom de Baudelaire for (bass) clarinet (2008) as well as two string quartets and solo pieces for almost every instrument.

Holliger has been awarded many awards and prizes: the Frankfurt Music Award 1988, the Ernst von Siemens Music Award 1991, the Prix de Composition Musicale de la Fondation Prince Pierre de Monaco for (S)irató 1994, to name but a few. In 2007 Holliger was the first to receive the Zurich Festival Award, in 2008 he received the Rheingau Musikpreis. He was composer-in-residence of the Orchestre de la Suisse Romande and the International Music Festival in Lucerne. In April 2003 the Cité de la Musique in Paris dedicated a whole concert week to the composer, conductor and oboist Holliger. With projects such as the Basler Musikforum cofounded by him in 1987 and cooperations with the Junge Deutsche Philharmonie and the Ensemble Modern, Holliger is particularly involved in the presentation of new music.

Schedule

Monday 8 February

14.00 – 15.30

Holliger Lecture: ‘Partita for piano’ and Holliger’s relation to Schumann

15.30 - 16.00

Coffee break (Cellar)

16.00 – 18.00

Oboe students from Karel Schoofs (Veerle Huskens, Frauke Elsen, Wilma Jongsma, Arthur Klaassens, Natalia Mateos, Marije Slot) play : ‘ a reedy Double (a double reading for Doublereeder)’ (from ConcErto? – 2000/2001) and a movement from the Sonata (1956-57/1999).

18.00 - 20.00

Dinner (own arrangements)

20.00 – 22.00

Evening concert: Heinz Holliger – a living legend - in Ghent (H.Holliger – J.Michiels)

Benjamin Britten – Temporal Variations for oboe and piano

Heinz Holliger – Elis for piano (Heinz Holliger)

Robert Schumann – Romanzen for oboe and piano

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Heinz Holliger – Partita for piano (Jan Michiels)

Heinz Holliger – Dr Igu und dr Haas for piano and Sprechstimme (Heinz Holliger and Jan Michiels)

Pavel Haas – Suite for oboe and piano

Tuesday 9 February

10.30 – 13.00

Open workshop on Heinz Holliger’s ‘Romancendres’ (played by Benjamin Glorieux and Sara Picavet)

13.00 - 14.30

Lunch (Dining hall, provided by Orpheus Institute)

14.30 – 18.30

Workshop on other pieces by Holliger presented by students from different conservatories

14.30 - 16.30

Flüsterfuge und Zirkelkanon for 4 bassclarinets (2000/2001).

Contrechant for bassclarinet (2007/2008) Rechant for clarinet (2008) Benjamin Dieltjens and his students

16.30 - 17.00 La MORT d'ENOB for trombone (2000/2001) from 'Concerto ?' Tommaso Piron

17.00 - 18.30

Praeludium, Arioso und Passacaglia for harp (1987) Ula Mlakar

18.30 - 20.00

Dinner (own arrangements)

20.00 – 22.00

Evening concert: Heinz Holliger - Music from the Ashes of Schumann

With ‘Romancendres’ (cfr supra) and other Holliger-pieces

Wednesday 10 February

Video documentation

11.00 – 13.00

Heinz Holliger: Lecture on the three last Sonatas of Debussy (eventually with live performances of the cellosonata (Benjamin Glorieux and Sara Picavet) and the violinsonata

13.00 - 14.30

Lunch (Dining hall, provided by Orpheus Institute)

14.30 – 16.30

Workshop on pieces by Holliger presented by students from different conservatories

14:30-15:00

Contrechant for bass clarinet (Benjamin Maneyrol) 15.00 - 16.30

Lieder ohne Worte (I) for violin and piano (1982-1983) Anna d'Errico and Marco Fusi

16.30 - 16.45

Coffee break (Cellar)

16.45 - 18.00

Dialogue between Holliger, researchers and public – moderated by Jan Michiels