
Datum en locatie
van 10 april 2025 tot 11 april 2025
10:00 - 18:30
Orpheus Instituut, Korte Meer 12, 9000 Ghent (Belgium)
ODC 2025 Music and Time: Conservation and innovation through AR
Eventvan 10 april 2025 tot 11 april 2025Orpheus Doctoral Conference
The Orpheus Doctoral Conference (ODC) is a yearly event organised by docARTES PhD students. The perception of music as a fixed, essentialized object has long shaped Western classical music pedagogy, musicology, and performance practice research. In recent decades, influences from the social sciences have expanded music research, challenging the subject-object dualism. As an emerging discipline, artistic research has embraced this shift, redefining musical practice as an active research process through the lens of critical theory.
InschrijvenIntroduction
The focus of music research on conservation relies on a particular view of music as an essentialised object, being safeguarded against the ravages of linear time. Western music pedagogy is still dominated by institutions that view it as their mandate to conserve the canon of Western classical music. Historical musicology and performance practice research are often likened to processes in art conservation. More broadly, there is a sense that music research has been slower than other disciplines to embrace progressive analytical approaches rooted in critical theory.
However, over the last few decades, incursions from the fields of anthropology and the social sciences have opened up new fields of inquiry within music research, breaking down the subject-object dualism to engage meaningfully with, through, and in music. Artistic research (AR) offers a unique response to this challenge by repositioning musical practice not merely as an object, but as a research process in and of itself.
Schedule
DAY 1 Thursday April 10, 2025
09:30 – 10:00 Register and gather at Conference hall
10:00 - 10:15 Welcome addresses by convenors and Keynote speaker Martino Gozzi
10:15 - 11:00 Keynote Bruno Forment Collapsing Presentism Through Music: The Cabinet as a Historical Experience Generator
11:00 - 12:00 Xenia Benivolski De/Composition: Entropy, Sound, and the Politics of Sonic Decay
Ed Williams Decomposition: Queerly Grieving the Past
12:00 - 12:15 Coffee break
12:15 - 13:30 Presentation and Round table with Keynote speaker Martino Gozzi Storytelling in Retrospect: The creation of the Holden School in Torino
13:30 - 14:30 Lunch break
14:30 - 15:30 Stijn Saveniers Beyond Rigidity: Renewing Artistic Research Epistemology through Performative Methodology
Guy Livingston Re-seeing and Re-hearing Cage’s 4’33” on YouTube
15:30 - 16:00 Round Table with keynote speaker Martino Gozzi Creative education curricula in the twenty first century
16:15 - 16:30 Coffee break
16:30 - 17:30 Andrew Hallock and Mara Winter What have I become? Revealing a heterophony no one wanted or even expected.
James Wood Ecological Musicology
17:30 - 18:30 Interview and Round Table with guest speaker Jeremy Cohen
19:00 Dinner
DAY 2 Friday April 11, 2025
9:30 - 10:00 Register and gather at Conference hall
10:00 - 11:00 Presentation special guest speaker Kyoung Hwa Kim: Who Gets to Speak? Decentralizing the Gendered Voice
11:00 - 11:30 Nivea Freitas: Expanding Interpretation: Context, narrative and the Performer’s Role in Reframing Western Music
11:30 - 11:45 Coffee break
11:45 - 13:00 Last Presentations, Final Discussion
Johann Vacher: How to portray a piano
Ekaterina Polyakova: The Art of ‘non-simultaneity’ Tempo rubato and tempo changes in chamber music of the first half of the 19th century
13:00 End Conference
Practical
Location: Orpheus Instituut, Korte Meer 12, 9000 Ghent
Timetable:
Thursday 10 April:
- 10.00 to 13.00
- 14.00 to 18.30
Friday 11 April:
- 10.00 to 13.00
Presentations duration/format:
- 20 minutes + 20 minutes Q&A: live only
Deadline: 1 April 2024
Registration fee:
€ 60 for DAY 1 & 2 (lunch and dinner included on Thursday)
€ 20 for DAY 1 & 2 (lunch included on Thursday)
€ 0 for DAY 1 & 2 (no lunches included)
Participation is free of charge for researchers and students affiliated with Orpheus Instituut and docARTES.
By registering for an event at the Orpheus Institute you agree to our terms and conditions. The Orpheus Institute embraces diversity and strives to be an inclusive environment for everyone.
Convenors
- Valeria Mignaco, Orpheus Instituut, The Academy of Creative and Performing Arts (ACPA) at Leiden University
- Coy Jonty, Orpheus Instituut, The Academy of Creative and Performing Arts (ACPA) at Leiden University
- Maximilian Ehrhardt, Orpheus Instituut, KU Leuven
- Minji Kim, Orpheus Instituut, The Academy of Creative and Performing Arts (ACPA) at Leiden University
- Éléonore Luciani, Orpheus Instituut, Universiteit Leuven
- Laura Andriani, KU Leuven
- Elisabeth Damai Salverda, KU Leuven
- Vuma Levin, Universiteit van Amsterdam