ECHO Issue #8 Electronic Lutherie

https://echo.orpheusinstituut.be/issue/8

With contributions by Juan Parra Cancino, Richard Scott, Pierre Collard, Suzanne Ciani, Ezra J. Teboul, Simon Blackmore, Gabriele Boccio, Kaffe Matthews, Eric Mersch, Maria Sappho, Nicolas Collins, Philippe Druez, Marco Fusi, Scot McLaughlin, Martin Howse, Martina Bertoni, Pedro Ramírez-Agámez, Yoonwoo Ha, Jaehoon Choi, Helena Linder Miñambres, Alex Nowitz

Titles

• Electornic Lutherie: introduction by Juan Parra Cancino
• Plausible Worlds by Richard Scott
• Suzanne's Buchla Cookbook by Pierre Collard, Juan Parra Cancino and Suzanne Ciani
• Re-interpreting Gordon Mumma's "Mesa" by Ezra J. Teboul
• UPIC Ludique by Simon Blackmore
• The Instrument as Composed, Used, and Appropriated by Gabriele Boccio
• The knife edge of now by Kaffe Matthews  
• LittleThings by Eric Mersch  
• Sapphoin Magnesia by Maria Sappho 
• Work in Progress by Nicolas Collins 
• IrSOb – The Iridescent Sound Object by Philippe Druez 
• De familiarisation of a string instrument through Lorentz-force actuation by Marco Fusi and Scott McLaughlin   
• ERD: an electro-alchemical rosarium by Martin Howse  
• Composing the Unstable Self by Martina Bertoni  
• Acrosynthetics by Pedro Ramírez-Agámez
• Carefully Improvised Techno by Yoonwoo Ha 
• Media Specificity in Novel Musical Instrument Making: An Inverted Perspective by Jaehoon Choi   
• Sirenology, or the Aesthetics of Acoustic Synthesis by Helena Linder Miñambres  
• Vocal and Instrumental Sound Dance by Alex Nowitz

ECHO is a new online, open access, peer-reviewed journal that exists to share creative work and understanding in the common space at the intersection of music, thought, and technology.