Orpheus Institute Series
2013-This series of peer-reviewed publications —launched in 2013— encompasses monographs by Research Fellows and associates of the Orpheus Institute, compilations of lectures, texts, and performances from seminars and study days, and edited volumes on topics arising from work at the institute. Research can be presented in digital media as well as printed texts. As a whole, the series is meant to enhance and advance discourse in the field of artistic research in music and to generate future work in this emerging and vital area of study.
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Performing by the Book? Musical Negotiations between Text and Act
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Sound Work
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Experience Music Experiment
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Machinic Assemblages of Desire
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Performance, Subjectivity, and Experimentation
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Listening to the Other
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Footnotes
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Voices, Bodies, Practices
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Aberrant Nuptials
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Futures of the Contemporary
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Sensorial Aesthetics in Music Practices
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Logic of Experimentation
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Transpositions
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Virtual Works – Actual Things
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Powers of Divergence
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Diabelli Machines8
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Luigi Nono .....sofferte onde serene...
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Explosive Compressions, after Bruno Maderna's Hyperion
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Artistic Research in Music: Discipline and Resistance
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Experimental Encounters in Music and Beyond
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The Dark Precursor (2 vol.)
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Experimental Affinities in Music
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Artistic Experimentation in Music
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Multiple Paths: Towards a performance practice in Computer Music
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Composing under the Skin
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Sound & Score
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Experimental Systems
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Artistic Experimentation in Music